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Writer John P Matthew is Indian writer writing short stories poems reviews
 
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Eight months and still waiting for the verdict on my two books. I don't know what's wrong, if I should contact the publishers and find out if they are at all interested in them. This wringing of hands, this eternal anxiety, this indecision, to say the least, is killing. An author invests a lot of time and money on a book and to find it is not acceptable could be devastating, one can simply stop writing altogether and go into a shell. Nothing of that sort is happening to me, as I am still active literary boards, blogs and writing comments and criticisms. This keeps the juices, sort of, flowing. As Lokmanya Tilak said when he was convicted for sedition, "There are bigger things that govern the destiny of man." He is a hero, no mean writer himself, and I believe his words. Also my latest short story Seats, Red Spit and Being Steve Smith featured in my short story blog Unendingstories has got good reactions from the boards.

Recently, I was invited to attend the "Kritya International Poetry Festival" organized by Kritya in Thiruvanathapuram, Kerala. Those two days in Kerala were like a peek into a transient heaven. Like all heavens, it also passed in seconds. Pictures of the festival can be viewed on my photoblog Johnclicks.

Penguin-Sulekha "India Smiles" Short Story Collection Is Out!

"India Smiles" the collection of short stories that won Penguin-Sulekha's global short story contest has recently been published by Penguin India. This is what the book jacket looks like. Do buy it if you see it in stores. It features my short story "Flirting in Short Messages."

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“Marathekeri.” That’s what her mother Mary calls Julie. She is different. She is a chattakari, chattakari meaning Anglo-Indian girl from Kerala. She does unusual things. She climbs trees, she sits under them and dreams and when Mary calls out to her to clean the fish and chop the beef she goes and sits near the backwaters and watches the boats glide by.
...


“Girl, how will you tend to your family if you are like this?” Mary would ask.

“Mamma, don’t get on my nerves,” Julie would say.
She likes dark colors. She paints her lips blood red.

People just stare at her, turn around and say, “There goes our chattakari.”

“Phoo, poda,” she would say to them.

She likes to read. She reads Jane Austen and William Makepeace Thackeray. “Vanity Fair” is a favorite. She thinks she is English though she is half Malayalee.

“She has a Madamma’s blood in her you know. That’s why she is like that,” people say.


That day she climbed and sat on a huge tree in the compound her home in Trivandrum. The tree is old and gnarled. It looks like a Banyan tree. She actually meant to climb to the topmost branch. But she lost interest half way and she just sat there watching some children play.

The day was hot; it was also humid. She heard Mary call her, “Marathekeri, you again on that old tree? Wait till Pappa comes. I will tell him.”

But she doesn’t listen. She is listening to the sound of her inner voice. A voice that tells her she shouldn’t be here sitting on this tree. A voice inside that tells her she should stop dreaming of where beautiful women sit in beautiful parlors and speaking in hushed tones in the English countryside.

“You tell him what you want, Mamma, I am not afraid,” She calls out to Mary.

Then she listens to her inner voices.

“Julie you should fall in love. Didn’t Dennis make an advance during the last Christmas dance at the Railway Institute?”

“But I don’t like Dennis, he is so naïve.”

“But then how will you be like the heroine Amelia and her suitor Dobbin in “Vanity Fair”?”

“But Dennis isn’t like Dobbin at all.”

“What’s the matter? It’s time you had someone. Momma calls you a “marathekeri” meaning climber of trees. You can’t climb trees like this all the time. You are older now. You have to give up your childish petulance.”

“I am not petulant. And don’t call me a “Marathekeri” just because I like climbing on trees.”

“Oh, how can I tell you something without you flinging it back at me?”

“Then don’t.”

“Why?”

“I do what I like. I am Julie. I don’t need your advice.”

“Then do what you want. I am not bothered.”



She climbs down with a heavy heart. The day is still hot. Amelia was in her heart and her mind. She very much wanted Dennis to propose to her. But then what about her dream of Amelia, of being with soft gentle people who talk in whispers in the gentle countryside of England? Marrying Dennis would mean accepting the life of a railway man’s wife in some godforsaken remote railway station in India, like her mother Mary.

“Oh, tell me voice what should I do?”

The voice didn’t answer.

“Voice, voice, don’t leave me like this. Answer me. Don’t leave me like this.”

The voice didn’t answer.

"Oh, voice where are you? Don't leave me like this, please!" Julie cried bitterly.

The voice doesn't answer. The voice is dead.

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johnwriter.com johnpmathew.blogspot.com
My communities and links:
I am featured on "Famous Poets and Poetry"
My Blog: Johnwriter's Raves & Rants
My Short Story Blog
My Poetry Blog: Poetecstasy
To God's Own Country - A Travelogue on Kerala
My Ryze Networking Page
Writers' Networks I infest: Caferati and Shakespeare & Co.
My Sulekha Page
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Short stories

"Flirting in Short Messages"

The E-slave

The Tender Coconut Vendor

Thank You, Teacher

Don’t Call Me, I Will Call You

Computerben - A True Story
2100 - The Long Commute
Marathekeri
Do you believe it?
Book reviews
The God of Small Things Arundhati Roy
The Namesake Jhumpa Lahiri
The Inheritance of Loss Kiran Desai
An Iron Harvest CP Surendran
Shalimar the Clown Salman Rushdie
Maximum City Suketu Mehta
Movie reviews  
Spiderman 3 Sam Rimi
Essays  
When Our Writing Becomes Us
Friends  
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