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Announcements: |
For watchers
of this space...
Eight months and still waiting for the verdict on my two books. I don't know
what's wrong, if I should contact the publishers and find out if they are at
all interested in them. This wringing of hands, this eternal anxiety, this
indecision, to say the least, is killing. An author invests a lot of time
and money on a book and to find it is not acceptable could be devastating,
one can simply stop writing altogether and go into a shell. Nothing of that
sort is happening to me, as I am still active literary boards, blogs and
writing comments and criticisms. This keeps the juices, sort of, flowing. As
Lokmanya Tilak said when he was convicted for sedition, "There are bigger
things that govern the destiny of man." He is a hero, no mean writer
himself, and I believe his words. Also my latest short story Seats, Red Spit
and Being Steve Smith featured in my short story blog
Unendingstories has got
good reactions from the boards.
Recently, I was invited to
attend the "Kritya International Poetry Festival" organized by Kritya in
Thiruvanathapuram, Kerala. Those two days in Kerala were like a peek into a
transient heaven. Like all heavens, it also passed in seconds. Pictures of
the festival can be viewed on my photoblog
Johnclicks.
Penguin-Sulekha "India
Smiles" Short Story Collection Is Out!

"India Smiles" the
collection of short stories that won Penguin-Sulekha's global short story
contest has recently been published by Penguin India. This is what the book
jacket looks like. Do buy it if you see it in stores. It features my short
story "Flirting in
Short Messages."
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My Short Stories... |
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“Marathekeri.” That’s what her mother Mary calls Julie. She is different.
She is a chattakari, chattakari meaning Anglo-Indian girl from Kerala. She
does unusual things. She climbs trees, she sits under them and dreams and
when Mary calls out to her to clean the fish and chop the beef she goes
and sits near the backwaters and watches the boats glide by.
...
“Girl, how will you tend to your family if you are like this?” Mary would
ask.
“Mamma, don’t get on my nerves,” Julie would say.
She likes dark colors. She paints her lips blood red.
People just stare at her, turn around and say, “There goes our chattakari.”
“Phoo, poda,” she would say to them.
She likes to read. She reads Jane Austen and William Makepeace Thackeray.
“Vanity Fair” is a favorite. She thinks she is English though she is half
Malayalee.
“She has a Madamma’s blood in her you know. That’s why she is like that,”
people say.
That day she climbed and sat on a huge tree in the compound her home in
Trivandrum. The tree is old and gnarled. It looks like a Banyan tree. She
actually meant to climb to the topmost branch. But she lost interest half
way and she just sat there watching some children play.
The day was hot; it was also humid. She heard Mary call her, “Marathekeri,
you again on that old tree? Wait till Pappa comes. I will tell him.”
But she doesn’t listen. She is listening to the sound of her inner voice.
A voice that tells her she shouldn’t be here sitting on this tree. A voice
inside that tells her she should stop dreaming of where beautiful women
sit in beautiful parlors and speaking in hushed tones in the English
countryside.
“You tell him what you want, Mamma, I am not afraid,” She calls out to
Mary.
Then she listens to her inner voices.
“Julie you should fall in love. Didn’t Dennis make an advance during the
last Christmas dance at the Railway Institute?”
“But I don’t like Dennis, he is so naïve.”
“But then how will you be like the heroine Amelia and her suitor Dobbin in
“Vanity Fair”?”
“But Dennis isn’t like Dobbin at all.”
“What’s the matter? It’s time you had someone. Momma calls you a
“marathekeri” meaning climber of trees. You can’t climb trees like this
all the time. You are older now. You have to give up your childish
petulance.”
“I am not petulant. And don’t call me a “Marathekeri” just because I like
climbing on trees.”
“Oh, how can I tell you something without you flinging it back at me?”
“Then don’t.”
“Why?”
“I do what I like. I am Julie. I don’t need your advice.”
“Then do what you want. I am not bothered.”
She climbs down with a heavy heart. The day is still hot. Amelia was in
her heart and her mind. She very much wanted Dennis to propose to her. But
then what about her dream of Amelia, of being with soft gentle people who
talk in whispers in the gentle countryside of England? Marrying Dennis
would mean accepting the life of a railway man’s wife in some godforsaken
remote railway station in India, like her mother Mary.
“Oh, tell me voice what should I do?”
The voice didn’t answer.
“Voice, voice, don’t leave me like this. Answer me. Don’t leave me like
this.”
The voice didn’t answer.
"Oh, voice where are you? Don't leave me like this, please!" Julie cried
bitterly.
The voice doesn't answer. The voice is dead. |
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